The Mortal Instruments by Cassandra Clare: Harry Potter, Buffy / Angel, LoTR and Draco Trilogy rolled into one

Draco Malfoy, there you are.

A little background: I spent my pre-adolescent years reading (and writing) Harry Potter fanfiction. There was this certain fanfiction trilogy that was so superb, it garnered a legion of fans, its own fan art and even 2nd degree fanfictions. Fans would wait for the next chaper with bated breath the way canon-loving readers would wait for the next Harry Potter book by Queen JK Rowling. I am talking about Draco Trilogy, and for years, I idolized the Joss-Whedon-quoting, slash-loving and HP fanfiction legend, Cassandra Clare. 

It took me some time to read her books even though I knew (and saw in bookstores) of her published YA novels. Having reread the thousands of pages of her fanfiction Draco Trilogy, I never realized how much I missed the good 'ol days of geekily roaming around the cyberhalls of Fanfiction.net or Fictionalley.org talking about what would happen next. I also missed Draco Malfoy's complicated character in the trilogy, much better than JK Rowling's characterization of Slytherin's little prince, I dare say.

Imagine my awe and amusement as I began reading Cassandra Clare's very own world and her own set of quirky characters. They were so familiar I would be able to tell that they were CC's work even without the title and author info on the book. There were also tons of little inside jokes and other uncanny similarities like the mention of "Still Not King" button (from her Lord of the Rings humor fic The Very Secret Diaries) and even the bedtime story about a little boy trying to train a raven to please his Father (yes, with a capital "F") is synonymous to that from Draco Veritas.

If one have followed CC's fanfiction writing years as I have, one would know that she is also a fan of Joss Whedon's Buffy the Vampire Slayer and its spin-off Angel having used numerous quotes from both the series and her characters having adopted the same witty and peculiar Whedonverse tongue. It is from these inspiration, that I guess, she picked up some of the traits of the altered urban city from her own books.

There are also other things I've noticed like having a pub / restaurant catering to demons is reminiscent of Angel the Series' demon-scattered Los Angeles. Usage of birds and fireplaces for sending letters and mails, lifted from Harry Potter, as Valentine reminds me of Voldemort, the Circle a toned down version of the Death Eaters and Muggles into Mundanes.

The same way Jace is a spitting image of Draco Malfoy from CC's Draco Trilogy, Simon reminds me of Ron Weasley and Xander from Buffy the Vampire Slayer combined and Isabelle has the persona of Draco Veritas' version of Fleur Delacour.

Believe me when I say that all of these are rather well-meant compliments. These are precisely the things that I love most about the series. Amidst the undertone of lack of originality (which is totally not the purpose of the paragraphs above), I relish the Mortal Instruments' world because it precisely took most of the things that I loved about stories and characters that I was addicted to before and meshed it up into this epic tale that hooked me right from the very beginning. Coupled with Cassandra Clare's graphic and intelligent writing style, there is little that I could complain about.

That said, Cassandra Clare's own personal story is in itself inspiring. From writing fanfiction just for fun of it to being a worldwide best selling author of a YA series with probably a movie in the works, one can really say that, the fate that brought her into such avenue (of course with hard work, determination and a little bit of luck) is nothing short of... magical.

Glee 2x22: New York (Finale Review)

New York. Concrete jungle where dreams are made of. The Glee kids have battled various adversities such as slushy facials, homophobe jocks and playing for the Football team in Michael Jackson’s Thriller make-up but the moment everybody has been dreaming of has finally come. Nationals.

Unfortunately, all the hype surrounding the much awaited episode has proved to be too much for the writers of the hit TV show. The season 2 finale was a let-down to what we had hoped they would deliver. The first few musical numbers were childish and cheesy, reminiscent of those 90’s Pinoy movies where people would go out of town and burst into ahyper sing-and-dance routine. For a moment there, I thought I was watching Dolphy and his Home Along the Riles clan.

Second, how realistic was it that the New Directions fly to the city of Broadway dreams without a polished routine in their pockets? And not only that, the songs they were supposed to perform were not even written yet. I know it is a TV series and not real life, but a little more logic and a dash of reason would have been helpful.

Sunshine Corazon was back. Superb performance overall but honestly, somebody should fire her stylist. Seriously. I couldn’t concentrate half the time I was watching her belt out those high notesbecause I was genuinely disturbed on how the foundation on her face was darker than the colour of her body. Also, the dress didn’t fit properly and looked like a cheap rental for a Santa Cruzan parade. Did they make her look bad on purpose? Was it too much to ask to have a few strands of hair framing her face?

Plus, Vocal Adrenaline was clearly losing their touch. Comparing their performance with Jesse St. James killing Bohemian Rhapsody back in Season One Regionals with their current Nationals routine, it’s a mystery how they managed to get to the Top 10 in the first place.

New York obviously changes people. Rachel and Kurt have stepped into the Big Apple for less than 24 hours yet they act like Upper East Side’s Blair and Serena already.

Admittedly, the one redeeming part of the episode was the duo singing Wicked’sbreathtaking finale song “For Good” on top of the musical’s Broadway stage itself. It was such a heartfelt rendition baring the utmost passion and talent of the two most ambitious and talented characters on the show, I thought it was quite moving. I saw an interview asking creator Ryan Murphy of what would happen if the show choir members graduate from high school and I think it set the background for a Glee future after McKinley High.

I think the Achilles’ Heel of the series is its lack of compelling romantic pairs. So many shows have flourished just because of the chemistry between its lead characters. Who could forget Joey and Dawson, or Buffy and Angel or even Maulder and Scully? The whole Rachel and Finn love arc failed to elicit some sort of emotion from me. I couldn’t care less if they ended up together or went on separate paths. The on-stage kiss was not the climactic moment the show hoped it would be.

Bad writing, mediocre original songs and loopy predictable plot. This is basically what the Glee finale brought its salivating fans. I hope that in the future, the creators would concentrate more on story and character development rather than the Celebrity Guest of the Month. With just two seasons under its belt, Glee is still a neophyte show and for it to achieve longevity in the industry, it would take more than the Popular Song Cover of the Week to survive.

Glee's A Night Of Neglect Review

After a couple of weeks of hiatus, Glee is back with more songs and more Charice, but less of everything else.

The episode started out as promising. The Glee Club is back from their regionals win and, surprisingly, nothing has changed. The golden trophy that has gleamed with importance back in season one has somehow lost its shine this time around. You would've expected that the club finally getting the coveted first place and a chance at competing at nationals would've paid more attention to the aftermath of such game-changing success, but no, that did not happen at all. 

Instead, we were treated with a lousy episode arc where Tina, Mike, Artie and Brittany has suddenly transformed into brainy geeks intelligent enough to win in an academic decathlon. It would have been feasible enough if there was an ounce of history of them showing off their studying prowess, but since there was none, the whole thing just sounded fake and forced.

Actually, the whole episode felt pretentious and trying hard. Even Charice's guesting didn't really brought much substance to the show except to enter another show-stopping musical number. Her role did not make much sense although I do applaud how her character seems so much of an alter-ego to Rachel's which is absolutely fantastic and opens up a lot of story opportunities. From her first episode in the show, I got this impression that her Sunshine will be another meek forgettable character but here, she proved that she's talented, she damn well knows it and she's not afraid to flaunt what she has. She is almost like Rachel, only smaller.

Enter the Concert for a Cause with only a handful of people in attendance. This did not make sense to me at all. They know no one's there in the first place, why push through with this? Instead of embracing logic, we were put through performance after performance of acts and songs which did absolutely nothing except establish the already known fact that Mike Chang can dance and Gweneth Paltrow can (somehow) sing. Plus, if they don't have money for anything, how did they afford to have an orchestra and a gospel choir in that benefit concert?

The episode did have its ups. I've grown fond of Paltrow's character Holly because of how she exudes coolness and surprising wisdom in everything that she says. Her character sorts of enter a moral lesson here and there in her lines and you won't even notice it. This week's theme is Heckling in the 21st Century.

In entirety, I think the producers and the writers of the show need to have their eyes checked. First of all, Glee is a TV show. A musical, yes, but a TV show nonetheless and not a concert. In the end, it is the engaging characterization and captivating plot lines that will make people stay addicted with the show. If they don't work on that as soon as possible, I see a bleak future ahead.